Friday, July 24, 2015

espnW Summit (2014) "We think differently"


[Women] purchase differently, we think differently, our value sets are different.

Wednesday, July 22, 2015

espnW Summit (2014) LGBT Matters



It helps that one league in men sports makes strides on LGBT matters, but to Kate Fagan's point there are issues that still have to be worked through in women sports.  I think that the better we fans know who these athletes are as people, as Brittney Griner suggests, the better we can understand these matters and come to terms with them.

Monday, July 20, 2015

espnW Summit (2014) Voices Inside



I was living in Dubai, and out with my mates for a tough Friday morning bicycle ride.  It's generally easygoing to start, and the pace picks up but stays generally moderate until our break.  But the second half of the ride can be fast and furious.  That morning, I was not in good space with my body and my form felt off.  Negative talk in my head heightened, and it prompted me to let go of the push and let myself be dropped by my mates.  Interestingly, I kept at it, as I somehow kept those voices at bay.  Then, I had the fortune of a friend slip back to help, as I was losing grip on the lead pack.  He looked back, and waved me toward him.  In cycling, it helps for a mate to pull you, that is, allow you to draft behind him.  So with a burst of effort, I got on his tail, which allowed me to sit a bit and catch my breath, as he brought me back to the pack.  Mentally and physically I drew on what my friend did, and amazingly I had a strong finish to a rather shaky start.  In my own way I can relate to what these ladies say.  Whether positive or negative, voices call upon us athletes to muster whatever mental resources we have to channel it in the right direction.  Whether it's yoga for Natalie Coughlin or T'ai Chi for me, there are definitely ways to manage any voice that might drag us down.

Friday, July 10, 2015

ESPN 30 for 30: Kings Ransom



Film Summary

On Aug. 9, 1988, the NHL was forever changed with the single stroke of a pen. The Edmonton Oilers, fresh off their fourth Stanley Cup victory in five years, signed a deal that sent Wayne Gretzky, a Canadian national treasure and the greatest hockey player ever to play the game, to the Los Angeles Kings in a multiplayer, multimillion-dollar deal.

As bewildered Oilers fans struggled to make sense of the unthinkable, fans in Los Angeles were rushing to purchase season tickets at a rate so fast it overwhelmed the Kings' box office. Overnight, a franchise largely overlooked in its 21-year existence was suddenly playing to sellout crowds and standing ovations, and a league often relegated to "little brother" status exploded from 21 teams to 30 in less than a decade. Acclaimed director Peter Berg presents the captivating story of the trade that knocked the wind out of an entire country, and placed a star-studded city right at the humble feet of a 27-year-old kid, known simply as "The Great One."

Director's Take

My relationship with Wayne goes back to the 1990s when he invited me to play in his softball tournament in Brantford, Ontario. He wanted to get some actors in the game and I was a big hockey fan, having played it growing up in Chicago. I thought it would be a small game, but there were about 20,000 people there. First play of the game, I got a grounder at shortstop and threw out the runner and the crowd started booing me. Turns out it was Gordie Howe. I was humiliated. That began my personal relationship with Wayne.

Through the years, I went to lots of Kings games, and we played lots of golf and poker together. Knowing Wayne is like knowing one of those rare human beings like Michael Jordan or Tiger Woods, who are so utterly dominant in their sport that it's mesmerizing to be around them. The trade to the Kings was not only a huge moment in his career, but also a very contained and interesting way to look at this incredible athlete's life.

I was working in France when the deal went down. My best friend called me and said, "Gretzky's coming to L.A." His voice was trembling. Wayne F***ing Gretzky was leaving Canada and coming to our city. It felt like more than just a sports trade. It felt radical and wild and unsettling like a country's nationalism was on the line and something big was about to happen. As a fan, it was unlike anything I'd ever experienced. Naturally, we scraped together all our money and bought season tickets right away. Pre-Gretzky, we used to buy five-dollar student seats in the nosebleeds and move down and sit on the glass because there were so few fans there. It immediately went from that to sellouts many nights. The Kings averaged 14,875 in Gretzky's first season and the arena held 16,005. We were in hockey heaven.

Peter Berg

Peter Berg is a prolific talent with a taste for challenging, compelling material, whether as a writer, director, producer or actor. As a director, Berg, whom Rolling Stone reviewer Peter Travers calls affectionately "a genuine wild man," made his debut with the cult classic "Very Bad Things," starring Cameron Diaz, Jon Favreau, and Christian Slater. Berg went on to direct the action hit "The Rundown," starring The Rock, Seann William Scott, Rosario Dawson and Christopher Walken, and the critically acclaimed "Friday Night Lights," based on the bestselling novel about Texas football by H.G. Bissinger, starring Billy Bob Thornton.

Berg followed up in 2007 with "The Kingdom," a Michael Mann-produced political thriller set in Saudi Arabia, starring Academy Award winners Jamie Foxx and Chris Cooper. Berg's latest film, "Hancock," starring Will Smith, Charlize Theron and Jason Bateman was one of the biggest grossing films of 2008.

On the television side, Berg is the creator and executive producer of NBC's Peabody and Emmy Award-winning drama "Friday Night Lights." He also wrote, produced and directed ABC's critically acclaimed drama series, "Wonderland."
Reference: Kings Ransom.